Arturia: World famous software synthesizers CS-80V, ARP2600 and miniMoog V!

The CS-80V is the reproduction of the legendary Yamaha CS-80 which is considered by many as "the ultimate polyphonic" synthesizer. The time has come to rediscover a sound that has extensively contributed to the history of music. With the CS-80V, the richness of the tone turns digital but the inspiring design remains the same.

The CS-80V offers all the features of the original synth, plus a new generation of innovative features, taking the original design to a new level: with the modulation matrix, you will multiply the possibilities of this sonic and performance orientated beast; with the Multi mode, you will create a new generation of sounds; with the additional arpeggiator and effects, just unleash your creativity.

The ARP2600 is one of the finest og synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds thanks to the exclusive ARP technology. The ARP 2600 can be operated with or without patchcords since all of the functions are internally wired and can be controlled via sliders and switches. Due to this approach users can use the system simply while creating some of the wildest and most musically expressive og sounds ever!

With the ARP2600 V, Arturia brings this powerful og synthesizer back to life. In addition to the original functions, MIDI control, polyphony, and the ability to create, save and recall presets are all provided. But that's not all: behind the speakers panels are hidden innovative features that take the initial design of the ARP 2600 to a new level. Four revolutionary tracking generators add sound design possibilites that have never been seen before. Additional effects are also provided and along with the original ARP sequencer, they form an exciting new virtual synthesizer.

If you are at the beginning of your learning curve, you will be enjoy getting started with the hundreds of presets provided, or if you are an experienced sound designer, the ARP2600 V will allow you to immediately add new dimensions to your music.

The minimoog Sound - Virtually!
At the 1971 NAMM convention, Bob Moog introduced the Minimoog, the very first compact and affordable synthesizer for musicians. With its excellent fat sound and its unparalleled filters, the Minimoog eventually became responsible for some of the warmer and best og synth bass, lead and whistle sounds ever.

At the 2004 NAMM show, Arturia introduced the minimoog V, a faithful reproduction of the Minimoog! Offering all the features of the original, the software version also brings polyphony, MIDI management, presets. And taking advantage of the possibilities of modern tools, beyond the control panel are some additional hidden functions: a modulation matrix, a LFO, an arpegiator, a chorus and a delay.

But what about the core of the Minimoog, the sound? Thanks to TAE, Arturia proprietary technology for emulating og circuits, the minimoog V offers an unchallenged quality of sound. Sharp filters, aliasing-free oscillators, soft-clipping limitation guarantee you have the best emulation on the market.

Loaded with hundreds of presets made by some of the most talented Minimoog users, the minimoog V is certainly an instrument which is going to bring a lot to your musical palette.

Arturia minimoog V Features:

• 1 modulation matrix offering up to six different connections between 12 sources and 32 destinations
• 1 LFO which can be synchronised on the tempo of the host sequencer
• 1 arpegiator which can also be synchronised in the same way
• 1 three-mode chorus
  1 stereo delay to be synchronised via MIDI
• Possibility to synchronise Osc2 on Osc1
• 3 oscillators offering multiple waveforms. The third oscillator can modulate either the first two oscillators or the filter.
• 1 mixer with a built-in overload circuit
• 1 legendary 24 dB/oct resonant filter
• 2 ADSR envelope generators
  1 external audio input
• 1 external oscillator and filter modulation input

Absynth 3 - This Synth is Just amazing

Absynth 3 is the latest reincarnation of the Native Instruments synth, literally taking it into a whole new dimension -- the third dimension, in fact.

Absynth 3 is now fully surround-enabled, offering a versatile multi-channel implementation. Powerful new oscillator functions and additional integrated effects further expand its sonic capabilities, while a versatile live input function turns Absynth 3 into a real-time sound mangling tool. Flexible MIDI parameter control and a revised user interface further increase Absynth's versatility and ease of use.

The role of surround sound is rapidly increasing in all areas of music production and sound design, and Absynth 3 delivers: Integrated multi-channel support includes a wide range of formats, ranging from 3.1 and 5.1 up to 7.1 and even 8.0, with dedicated surround panning sections in each oscillator channel. Panning envelopes and LFOs offer far-reaching and convenient control over spatial movement, allowing for animated soundscapes that can be both subtle and overwhelming. Surround integration takes Absynth's signature evolving pads and complex atmospheres to a completely new level, and existing sounds can easily be adapted to make use of the new features.

Absynths oscillator section is also enhanced, adding a "real-time fractalize" mode and "frequency shifting" modulation to its existing nal of subtractive, FM, sampling and granular capabilities. Furthermore, each of Absynth's oscillators now offers both an optional free-running mode and an additional "unison" function combining up to eight detuned oscillators simultaneously, for increased og feel and fat monophonic lines. The new "live input" mode can process up to three external stereo signals at once, routing each into a separate oscillator channel for individual treatment with Absynth's versatile filter, waveshaping, envelope and effect sections.

The revamped user interface of Absynth 3 offers more convenience and control, with a single-window-architecture that reduces screen clutter and improves workflow. The greatly enhanced envelope editor makes working with Absynth's powerful multi-breakpoint envelopes much easier, thanks to new features like multiple breakpoint selection, copy/paste functionality, and a real-time envelope cursor.

Absynth 3 comes with more than 1000 presets, including 256 brand new ones that make use of the added features, as well as over 800 sounds from the previous instalment.

Pro-52 The - famouse Prophet Synth
The virtual Sequential Prophet-5 emulator from Native Instruments has now reached the next step in its evolution. Native Instruments has quickly updated one of their landmark products, the Pro-Five to the new and incredible Pro-52 model. The original is a wonderful virtual recreation of the original Sequential Circuits Prophet-5. But the new Pro-52 adds many new features that make it an indispensable tool for any computer musician. Now the best and most compatible vintage synth sounds to modern musicians are available.

A new effects unit has been added to the Pro-52 with echo, chorus and flanging effects. The Pro-52 can also be used as a stand-alone application and is no longer tied to the VST studio (though it still acts as a VST instrument seamlessly in any VST 2.0 or better system). The Pro-52 is able to import Prophet-5 SysEx sound data which means it can read and accurately reproduce all the existing sound libraries made for the original and allows your old P-5 sounds to be brought under the control of the very stable, reliable and clean digital domain. There's also an audio input capability for processing external sounds through its filters. Unlike the original classic P-5, the Pro-52 offer unlimited polyphony, many times more preset memories, velocity sensitivity, MIDI automation of all available parameters and the option to run several Pro-52's in parallel. A must-have plug-in! Demo sounds and Plug-In demos and updates are available at Native Instruments.

And FM7 synthesizers: great for dance/ trance tracks

The FM7 from NATIVE INSTRUMENTS could be the best software synthesizer ever! The FM7 is based upon the classic and legendary sounds of FM synthesis found in Yamaha's DX-series, from the DX7 to the DX200! The FM7's brilliant user-interface makes FM synthesis understandable, and for the first time, visually intuitive. And since the FM7 can import SysEx patch files, of which thousands can be downloaded from the internet, you have virtually every Yamaha FM synthesizer and more available to you in an easy to use and totally modern software plug-in compatible with every major computer music program (ASIO, MME, DirectX, SoundManager, VST, DXi, Audio Unit, RTAS, MAS, DirectConnect)! The FM7 can read all programs from the original DX7, DX7-II, DX11, TX81Z, TX7, DX21, DX27, DX100, TX802 and it reproduces the sounds of these machines exactly, if not better!

As part of NI's Vintage Line, the FM7 not only recreates the look and sound of DX-synths, but in many ways it surpasses what those original FM synthesizers could do. To get you started, it ships with two 128-patch banks of new sounds, a set of 128 DX200 patches, and the factory and some additional presets from the original vintage DX7. The FM7 is not just a DX emulator in the form of another software plug-in. It is a genuine FM algorithm synthesizer that takes the concept to the next level! It adds distortion and filter operators, extensive modulation capabilities, a comprehensive effects section, audio input and much more to the traditional FM architecture.

The FM7 has eight operators, each of which can be selected and graphically edited on-screen or via MIDI controller. The first six operators (A-F) are modeled after the DX-series. Operators are unique to FM synthesis. Each one generates a waveform which can be used as a carrier (the sound that is heard) or a modulator (like the way an LFO is a wave that modulates an audible carrier wave). Whereas the original DX-synths only used sine waves for their operators, the FM7's operators offer a choice of 32 waveforms from simple sine to complex TX and formant waves. Additionally, the original FM synthesizers had 32 preset algorithms for designating and routing which operators will be carriers and/or modulators. FM7 has a fully programmable FM matrix in which you can freely adjust the signal routing from one operator to another, and you can even make the operators modulate themselves in a feedback loop. The original 32 DX-algorithms can be chosen from the FM Matrix's presets menu.

The frequency range, output level, stereo panning, velocity sensitivity, envelope rates, and amplitude modulation ignments for each operator are all easily edited on-screen or via MIDI controller in a way no old DX-synth could ever display! A graphical multi-stage envelope section borrowed from Absynth allows up to 30 points--that's way more than just the four points of a standard ADSR envelope. It comes with many preset envelopes, and it can be tempo synced. The last two operators (X and Z) offer new features not previously seen on DX-synths. Operator X offers a sophisticated noise and distortion generator. Operator Y has two multimode resonant filters.

The FM7 has a remarkable user-interface. It looks like a DX-synth with its brown/black color, green and red membrane buttons (that look depressed when clicked on). There's also a three digit display next to some LCD emulated display screens and a 6-octave keyboard. Clicking on the main LCD display toggles through a variety of information such as the name of the current patch, CPU usage, or current polyphony usage. There's also a lot of screen space which has allowed NI to give FM synthesis programming the visual representation it has desperately needed for decades. Creating your own FM sounds has truly never been this easy! And what's more, an "Easy" page gives you access to 20 sliders for somewhat global but common-place parameters such as Brightness, ADSR, Detune, LFO and Output settings. A "Master" section provides equally simple control of master input/output levels (yes there is an audio input as well), Chorus/Delay Effects, and some other overall sound shaping effects.

One of FM7's coolest features is its MIDI Learn function...just click on the "Learn" membrane button, click on a parameter that you would like to have controlled by a MIDI controller, then wiggle the controller knob and voila! You have just igned a knob or slider on your MIDI controller to a parameter in FM7! This makes using FM7 with your MIDI controllers a snap, for either live or studio use. As a stand-alone application, the FM7 is a monotimbral instrument. But when used as a VST plug-in, up to 8 instances can be instanciated for multitimbral or ensemble applications. FM7's "Pitch" screen lets you adjust global pitch effects like the portamento and micro-tuning. The micro-tuning feature lets you adjust each note up or down a half step. A menu of preset micro-tunings from "Bagpipes" to "West Africa" shows you the sort of ethnic key scales you can create for your more ethnic sounds!

Clean sounding, punchy, and alive! That's how one could describe the world of sounds FM7 can create. Classic Rhodes and Wurlitzer sounds, percussive sounds ranging from the acoustic to the digitally industrial, synthy basses, leads, pads, strings, bells, drones, pulsing and throbbing effects, and all kinds of ethnic sounds and effects are all just a click away

Guitar Rig:Add realistic guitar fills, loops and solos to your projects.

Guitar Rig is a one-stop-solution for the guitarist and producer. Combining sophisticated software with a foot controller, Guitar Rig is designed to be a versatile modular guitar studio. Guitar Rig opens up a whole universe of guitar sounds, ranging from classic vintage tones to contemporary hi-gain metal sounds and beyond.

Guitar Rig offers an nal of classic and modern guitar amplifiers, cabinets, microphones and effects, which can be freely combined in a virtual rack - letting guitarists create virtually any guitar setup imaginable. Each and every component recreates the sound of the original unit through the use of og modeling technology.

Guitar Rig integrates three classic tube amp emulations, which were developed through detail-exact ysis of the original amplifiers -- the Mesa/Boogie Rectifier, Fender Twin Reverb and Marshall Plexi 50W. In addition there are more than 20 effects, including emulations of well-known vintage stomp-boxes and modern effects -- featuring various distortion and modulation pedals, dynamic effects, Talk Wah, Wah Wah, spring reverb and much more.

Guitar Rig also includes a "Cabinets and Mics" module to take care of the crucial aspect of speaker and microphone choice and placement. Guitarists can choose from ten different speaker types and five different microphone types, which can then be set up in four different recording positions. Up to eight speakers, each with their own mic configuration, can be combined to form a virtual "wall of sound".

The modular structure of Guitar Rig makes it possible to freely combine any amplifier or effect in any order -- even several instances of the same module can be used in the same rig. Furthermore a special split module allows two parallel signal paths with different amplifiers, cabinets and effects that can then again be joined, mixed and even crossfaded.

More than two years of dedicated research went into the recreation of the amplifiers and effect units found in Guitar Rig, all based on sophisticated og modeling algorithms. A newly developed "Dynamic Tube Response" technology provides tube sound with unprecedented realism and responsiveness, according to the company. The sound characteristics of various speakers and microphones are emulated through impulse response modeling technology.

Guitar Rig also includes the newly developed foot controller "Rig Kontrol", which offers four foot switches and a parameter pedal. Rig Kontrol allows for convenient preset selection and direct control over any parameter of the Guitar Rig software the user igns to it.

All parameter data is transmitted from the foot controller to the computer via a second dedicated audio channel, making Guitar Rig a completely MIDI-free solution without any setup hassles. It also integrates a D.I. box for connecting the guitar to the computer soundcard -- no additional hardware is required.

Guitar Rig is also a partner for rehearsal and learning, including not only a metronome and a tuner module, but also multiple "Tape Deck" modules for audio playback and recording.

Fruity Loops Studio XXL: Industry standard studio for drums and loops.

FruityLoops has always been a popular choice with desktop musicians; its intuitive interface and unrivalled parameter tweaking have earned it the reputation of being one of the best loop creation tools available.

Fruity Loops is, simply, a great fun program. It's easy-to-use,you'll be making music within a few minutes of installing the software, and it can easily be used alongside other music production tools.

Fruity Loops is ideal for trance, techno or house production, and you could probably turn out a fair Garage tune on it, too. It aims to emulate the classic, old-school synths that producers of these kinds of music love.

With Fruity Loops you compose your own loops using drum machines and synthesisers - and it really doesn't take too much time to get under way. There are loads of helpful things like chord generators which help you get on with programming the music without the need to know all the theory.

If you've never played with a synth before, it can be intimidating with all the talk of oscillators and voltage-controlled filters. By far the best way to find out what all the bits do is to turn the knobs and listen to the results - and Fruity Loops' synths are great for that! So as well as making great music, you can learn as you go. You can also import and tweak samples in WAV format, so you can drop breaks and licks from other sources into your tunes.

We think FruityLoops is amazing value for what it does and it'll be a while before you need anything else....

FL Studio (formerly Fruityloops) is the most complete virtual studio currently available. You will be creating wav, mp3 or midi songs or loops only minutes after launching it.

FL Studio (formerly Fruityloops) is a full-featured sequencer perfectly suited for creation of complex songs and realistic drum loops, with 32 bit internal mixing and advanced MIDI support. The resulting song or loop can be exported to a WAV/MP3 file and all MIDI events can be exported to a standard MIDI file.

FL Studio is a fun product but still helps you to create great sounding music. Use it on its own or as a fantastic complementary product for Cakewalk's SONAR, Home Studio, Music Creator, etc, Syntrillium's Cool Edit Pro 2, Adobe Audition, Steinberg Cubase, Cubasis, etc, ACID etc

FL Studio can play any sample file (wav), generator (FL Studio soft- synth), VSTi & DXi) or midi instrument you feed it.

FL Studio comes in 3 flavours: Fruityloops Edition, Producer Edition and XXL Edition. The Producer Edition includes everything found in the Fruityloops edition, plus audio recording and editing capabilities, XXL Edition includes FL Studio Producer edition, DirectWave Sampler, Sytrus Synthesizer, SimSynth Live,DrumSynth Live,Fruity SoundFont Player, Fruity DX-10, VideoPlayer and ~2.4 Gb DVD Sample Collection. For feature summary, see table below.

'One of the greatest PC music programs there is, period' Computer Music Magazine

FL Studio is a pattern based sequencer, which means you create your songs in pieces (patterns) using the Step Sequencer and the Piano Roll view and then weld those pieces together using the Playlist window (the Playlist also supports full-featured audio tracks with hardrrive streaming). Then you can add a wide range of effects to your instruments (reverb, phaser, flanger etc.) and route the resulting mixer tracks in any way you like to create complex mixing chains with ease.

• Key New Features.
• Enhanced mixer
• Basic PDC support
• Multiple MIDI input
• Support for MIDI hold & sostenuto
• DirectWave: full blown, multi layer/multi velocity sampler- MTC Wrapper plug-in (only XXL)
• New Fruity Multiband Compressor plug-in (3 band)
• New Sytrus 2 included in XXL - check more at Sytrus website (only XXL)
• New EQUO automatable equalizer plugin
• New Fruity Reeverb 2 plugin
• New Fruity Squeeze plugin
• New Chrome plug-in (visual effects)
• New 'one-click recording' option
• FPC2 plug-in (8 banks of 16 pads, ADSR envelopes, FX, kit & loop library
• Fruity Browser "Search" capabilities
• Main Features of Fruityloops software.
• Internal 32 bit floating point mixing, up to 96kHz stereo.
• Supports DirectSound and ASIO enabled sound cards for audio output.
• Ability to function as a VSTi, DXi and a ReWire client.
• Ability to host ReWire clients itself.
• Realtime linear interpolation & sophisticated interpolation algorithms at rendering time.

Open architecture allowing third-party instruments (enhanced proprietary FL instruments standard, VSTi and DXi2) and effects (enhanced proprietary FL effects standard, VST, VST2 and DirectX). Effects: A full set of high-precision mastering and special effects filters: reverb, compressor, procedural equalizer, distortion, phaser, flanger, bass boost, delay line and other. Advanced sequencing methods allowing quick entering of realistic drum loops (step sequencing grid) and composing complex instrumentals (advanced piano roll, arpeggiator, keyboard tracking, real-time gate).

Unique note properties morphing ability (pitch, cutoff, resonance, panning).

Advanced mixer: 68 mixer tracks (64 insert and 4 send tracks) supporting up to 8 filters each; mixer tracks rerouting for creating of complex mixer chains; track recording with ASIO input support (for recording MIDI, vocals etc.); integrated procedural equalizer, volume and panning for each mixer track.

Integrated instruments: Sampler, TS404 (the popular bassline engine), 3xOSC (subsynth), Plucked! (plucked strings), MIDI Out, DX10 (FM synth), Scratcher (turntable emulator), WaveTraveller (wave bend synth), Wasp (demo), SimSynth Live (demo), and more.

• Advanced playlist & full-featured audio tracks.
• Live recording of control movements & integrated automation events editor.
• Easy MIDI remote controlling of most parameters (VST plugins supported as well).
• Procedural control over parameters by using special controller plugins.
• Click removal & volume ramping to avoid pops.
• Imports *.WAV, *.SYN (SimSynth 1 & 2), *.DS (DrumSynth) files, with effects applied.
• Imports MIDI sequences and controller events.
• Exports audio to 16Bit or 32Bit *.WAV file, *.MP3.
• Can export MIDI notes & controller events to a standard MIDI file.
• Record & mix up to 999 tracks of audio
• Use effects on input while recording
• 64 channel Mixer with per-track EQ

Integrated WaveEditor
Audition 1.5: Adobe Audition 1.5 software is a professional audio editing environment. Designed for demanding audio and video professionals, Adobe Audition offers advanced audio mixing, editing, and effects processing capabilities. Its flexible workflow, combined with exceptional ease of use and precise tools, gives you the power to create rich, nuanced audio of the highest possible quality.

Use integrated tools Complete audio studio: Handle all of your digital audio tasks within a single application. Work with a multitrack mixing view, a mono and stereo waveform editing view, and audio effects; create music with loops; and burn audio CDs. Enhanced support for video: Edit video soundtracks more easily with the ability to view video frames in the Timeline and import a wide range of file formats, including AVI, native DV, MPEG, and WMV. Powerful audio effects and DSP tools: work with more than 50 digital signal processing (DSP) tools and effects, mastering and ysis tools, audio restoration features, and third-party DirectX and VST plug-ins. Powerful multitrack mixing: Use the Multitrack View for recording, mixing, and editing up to 128 stereo tracks. Record up to 32 inputs, use real-time effects and EQ on every track, play back video and MIDI files, and more. Wave editing view: record and edit individual audio files with fast, accurate tools that are tightly integrated with the Multitrack View for an improved workflow.

Product Description
Audition 1.5 offers home mixers and audio engineers the advanced tools they need, for perfect sound every time. With its exceptional audio mixing, editing, and effects processing, you'll get fantastic audio every time. Its precision tools are easy to use and integrate with your workflow, for better and richer audio. Eliminate clicks and pops from old audio source material, like vinyl records, DV cameras and wireless mics Flexible envelope scaling for rescaling points on a multitrack mix New sample sessions get you up to speed -- Vocal/instrumental extraction and royalty-free loops for better audio mixing

• Dream Station: Powerful modelling engine - create ogue circuits and sounds or recreate your favourite retro gear – Includes samples and loops
• Dream Station is music synthesizer and tracker software combined into one interface with MIDI support. It provides a virtual og synth, wavetable synth, sequencer, mixer and effect processors.
• Dream Station can produce a wide range of synthesized sounds, from the old classical og instrument sounds to new and exciting sonic textures never heard before.

• Features:
  Versatile synthesizer module with 96 oscillators and 32 voices
• 32 track step-time sequencer
• Up to 3 oscillators can be used for each voice, where every oscillator is generating sine/ triangle/ sawtooth/ pulse (OSC2&3 square) or noise waveforms
• Linear frequency modulation, ring modulation and hard synchronization are available between OSC1&2
• Traditional waveforms can be replaced with 16-bit mono samples, and used as the ring and frequency modulation source
• Multimode filtering architecture for eliminating/exciting specified frequencies with 2 pole lowpass/bandpass/highpass and 4 pole lowpass with resonance attenuation and formant filtering
• 3 ADSR envelope generators (one for the amplifier, filter and user defined EG for general purpose)
• An LFO Vibrato and Portamento for modulation.
• Up to 2 commands can be igned to each note
• External MIDI clock synchronization support
• Dual stereo effects processing provides delay (mono/stereo/spatial/ping-pong), chorus (single/dual voice, mono/stereo), phaser (mono/spatial), flanger (mono/stereo), and reverb (room/hall/plate)
• Mixing console provides 8 stereo channels, each allows the grouping of any number of instruments, control over pan/volume and individual sends to the effect blocks

Battery 2: Excellent drum machine and sample library.

BATTERY 2 is the ultimate drum sampler for creating and fine-tuning all of the percussive elements in any production. With a streamlined design for fast and intuitive control, generate perfect drums and percussion every time. From the smoothest grooves to the most rugged rhythms - BATTERY 2 is the professional choice.

The latest version offers an even more intuitive user-interface with a larger, customizable matrix. Every sample-cell is armed with a powerful compressor and multi-mode filter, an LFO, freely ignable envelope, mapping editor managing 128 sample-layers per cell, re-sampling effect and an extended Loop section. BATTERY 2 also offers a first-class sample library containing 3.5 GB worth of drum and percussion samples as well as compatibilty to many sample formats plus a simplified file management.

The cell matrix is as fast as it is easy to use. Simply load your various sounds into the 72 sample cells and create whole new drum kits in a matter of seconds. Rearrange the cells or the matrix itself, group cells together or mute and solo cells or groups for easy management. BATTERY 2’s intuitive interface truly is a case of plug and play.

BATTERY 2 will bring your drums and percussion to life and lend them a unique flavor. Every sample cell has an individual and comprehensive set of powerful sound-shaping tools: compressors, filters, saturation, bit-reduction, modulation including freely ignable envelopes and LFOs, an extended Loop section and much more afford you the creative power to sculpt distinctive rhythm tracks.

BATTERY 2 is compatible with a wide range of professional sample-formats, ensuring that you can import the exact samples required. Included in BATTERY 2 is a huge 3.5 GB library with loads of professional drum kits: natural drums and percussion, orchestral percussion, electronic drum kits, a selection of specials as well as an optimized version of the popular BATTERY 1 library. Everything needed to keep your productions sounding fresh.

Orange Vocoder: Real-time Vocoder and Software Synthesizer

Prosoniq is proud to offer the fastest, most flexible, and most transparent-sounding simulation of an og vocoder available as a RTAS plug-in. The Orange Vocoder is an all-digital simulation of a realistic og vocoder effect, following in the long tradition of German vocoder manufacturers. It is fully customizable and comes with an eight-voice virtual og synthesizer unit, Breakpoint EQ, and Filterbank Reverb, all in a single plug-in.

Real-time vocoder – uses any input source/audio track or the built-in oscillator as carrier signal, any audio track as the modulator

Integrated, eight-voice virtual og synthesizer

Breakpoint EQ and Input Channel Flip for customizing and controlling your signals

Filterbank Reverb

Automation supports both RTAS sidechain routing and Pro Tools automation

Sonar 4.1: (cakewalk) A great alternative to cubase for those who prefer it..

This is barely one quarter of the added free software pack – there’s just too much to list! Load the disc start exploring and be amazed! A musician’s or music students dream come true!